"WE ARE THE EXPERTS—{tour} tours to Bhutan since 2001"
Rainbow Photo Tours of
"Even though the roads are rough, and a little hair-raising at times, the drivers are obviously well experienced professionals, safe, courteous and capable. " —TripAdvisor Reviews of Rainbow Photo Tours
Self discovery, to me, is the most pleasurable form of adventure travel. Consequently,
I generally avoid “herded sheep” type of tours which are often the norm. I
have only taken escorted tours where safety, logistics and regulations make
it difficult to travel to certain areas and even then, my primary criteria
are opportunities for explorations and unique, meaningful photographs. Bhutan
is one of these rare destinations.
Robin’s tour is relatively unique amongst tours. A participant gets nearly
all the benefits of a private tour, but also the pleasure of meeting others
in a small group and the possibility of new friendships.
There’s also the wonderful opportunity to get to know the Bhutanese people;
we spent a lot of time with the different drivers and guides as these were
rotated each day, and of course we met, interacted with and photographed many
other Bhutanese people.
In addition, the drivers and guides were most helpful in carrying our gear
and otherwise watching out for us. This was particularly useful for me as
I am still recovering from a back injury resulting from carrying a lot of photographic
gear on a trip to Alaska last year.
I highly recommend Robin’s tours – the tours represent excellent value for
adventurous people!
Photographically, on this trip I wanted to try to capture the intangible,
ethereal and metaphysical qualities of Bhutan, To this end I used camera
and subject motion and occasional computer processing to abstract and create
a transcendental feeling of place through visual means, rather than to just
capture reality or to freeze a moment in time.
Viewers may wonder “Doesn’t he have any needle sharp images?”.
Actually about 4000 of the 6000 of the images taken on the trip are in this
latter category, but there are already lots of such images already on Robin’s
website and elsewhere on the web.
Robert Ito, FCAPA, FEC, PhD
Director of Photographic Imaging
Canadian Association for Photographic Art
Equipment:
Canon 5D Mk II and Canon 7D bodies with RRS L brackets
Gitzo G2228 carbon fibre tripod with RRS BH-40LR Ballhead
Acratech leveling base, Jobu “sidekick” adapter
UN 8508 LCD loupe (very useful for checking images on location)
Memory cards: 272 GB in CF cards , 236 GB in SDHC cards
1 TB USB 3.0 Western Digital pocket hard drive for image back-ups
500 GB Hyperdrive Colorspace UDMA stand-alone back up storage unit
Laptop computer with 500 GB disk and USB 3.0 ports, Lightroom 3, CS5, ACDSee
Pro 3, Allway Sync and other photo software
Lexar USB 3.0 memory card reader
Panasonic GH1 camera with 14-140 lens
Casio EX-H20G pocket camera for geo-tagging locations
Polarizing and Variable neutral density filters
X-Rite camera color chart
Camera rain covers
Polaroid POGO portable photographic printer
Notes:
Ouch! - this bag is heavy - good thing that we had help in carrying our
gear!
My original intention was to use the 5D as my primary camera, but to avoid
frequent lens changes I ended us using two cameras, the 5D with the 24 to
105 lens, and the 7D with the 70-300 lens or the 70-200 f:2.8 Mk II lens
Acratech levelling base and Jobu “sidekick” converts the RRS BH-40 ballhead
into a free movement, 2 axis gimbal system for video shooting and action
still photography
Variable neutral density(2 to 8 stops) filters allow slow exposures for
subject motion or camera motion photography
Least used equipment: 85 mm and 17-40mm lenses, 550 EX flash
Panasonic GH1camera primarily used for video but also as a still camera
back-up
POGO printer was useful for producing on-location, hard-copy gift photos
for the Bhutanese people that we met and photographed
Self discovery, to me, is the most pleasurable form of adventure travel. Consequently, I generally avoid “herded sheep” type of tours which are often the norm. I have only taken escorted tours where safety, logistics and regulations make it difficult to travel to certain areas and even then, my primary criteria are opportunities for explorations and unique, meaningful photographs. Bhutan is one of these rare destinations.
Robin’s tour is relatively unique amongst tours. A participant gets nearly all the benefits of a private tour, but also the pleasure of meeting others in a small group and the possibility of new friendships. There’s also the wonderful opportunity to get to know the Bhutanese people; we spent a lot of time with the different drivers and guides as these were rotated each day, and of course we met, interacted with and photographed many other Bhutanese people.
In addition, the drivers and guides were most helpful in carrying our gear and otherwise watching out for us. This was particularly useful for me as I am still recovering from a back injury resulting from carrying a lot of photographic gear on a trip to Alaska last year.
I highly recommend Robin’s tours – the tours represent excellent value for adventurous people!
Photographically, on this trip I wanted to try to capture the intangible, ethereal and metaphysical qualities of Bhutan, To this end I used camera and subject motion and occasional computer processing to abstract and create a transcendental feeling of place through visual means, rather than to just capture reality or to freeze a moment in time.
Viewers may wonder “Doesn’t he have any needle sharp images?”. Actually about 4000 of the 6000 of the images taken on the trip are in this latter category, but there are already lots of such images already on Robin’s website and elsewhere on the web.
Robert Ito, FCAPA, FEC, PhD
Director of Photographic Imaging
Canadian Association for Photographic Art
Equipment:
Notes: